¿La voz del hombre nuevo?: Masculinidad y Nueva Canción Chilena
- Autor(en)
- Pablo Marcelo Rojas Sahurie
- Abstrakt
The hypothesis of this paper argues that the Chilean New Song not only reproduced, but also participated in the construction of a left-wing hegemonic masculinity in the Chilean context of the sixties and seventies, even when alternative gender constructions eventually existed within the movement. To support this hypothesis, the article examines both the conformation and the masculinized performance of the movement, especially with regard to its vocal proposal.
- Organisation(en)
- Institut für Musikwissenschaft
- Journal
- Diagonal: An Ibero-American Music Review
- Band
- 7
- Seiten
- 1-20
- Anzahl der Seiten
- 20
- ISSN
- 2470-4199
- DOI
- https://doi.org/10.5070/D87157662
- Publikationsdatum
- 04-2022
- Peer-reviewed
- Ja
- ÖFOS 2012
- 604009 Ethnomusikologie, 504014 Gender Studies
- Schlagwörter
- ASJC Scopus Sachgebiete
- Cultural Studies, Music, Visual Arts and Performing Arts
- Link zum Portal
- https://ucrisportal.univie.ac.at/de/publications/0f744fd3-38d2-4665-b298-5996f7419a58